Dispatches from Rotterdam: Anna

How to encapsulate - let alone assess or explicate - the sprawling, nearly four hour long documentary Anna? Well to start with it's helpful to note that, title aside, the documentary makers are only tangentially interested in Anna; the young drug addict taken off the streets by one of the filmmakers in an act that is initially, ostensibly charitable. Instead they're more interested in the social issues that Anna's situation represents; particularly those that might be termed "hippie concerns", such as the nature of institutionalised community versus that of self-constituted community and how best to reject the former.

Defending the Block

Seeing a "youth-orientated" film at a big chain cinema made for a different trailer viewing experience to the one I've grown accustomed to. On one hand I avoided the enervating promo for The Woman on the Sixth Floor, on the other hand I was bombarded with the sheer cynicism with which teen marketers approach their task. It seems they feel kids are easy prey for generic fantasies, so long as they throw in some shaky-cam to make it all feel real; either that or they think that by doing this, removing the titles and credits and inserting a link they can build “viral buzz”.  

Youth, Speed, Trouble, Film*

Wasted on the Young, for all its deliberately overblown genre conceits, is the best observed high school set film I've seen in a long time. It's also a rare example of a piece of modern commercial cinema with a highly distinctive visual language devised with more ambitious intentions than simply creating pretty pictures. If it stumbles occasionally it is nonetheless a worthy attempt to blend "social commentary" with "genre sensationalism".